Luxury Airplanes Images

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You' d better see a professional: Nick Gleis, luxury aircraft photographer

Gleis was widely celebrated as the best aerial photo professional in the whole wide arena. Its transcendental images of airplanes elevate themselves to the standard of visual arts and embody a singular blend of masterly light, brillant compositions and, above all, a profound emotive qualities that make the viewer's hearts beat faster. He has exhibited his exceptional work at major photo events such as the Brighton Photo Biennial in the UK, and has published essays on his work in Wired Magazine, Gulf Life (Middle East), Un Jour Magazine (France), Gawker (UK), China National Travel Magazine (China), The Telegraph (UK), Airplanista Magazine, Business Jet Interiors and Playboy.

Five times a recipient of the acclaimed Aurora Award for Professional Photography, he has received many other domestic and foreign accolades. It has also given lectures at such renowned institutes as the Art Center Collegium of Design in Los Angeles. For two years Gleis took part in photographic classes at the colleges and received a sound foundation in the basics of photographic science.

After that Nick Gleis' airplane photograph really took off - a play on words that is totally intentional - and she still floats high above the other. He has been producing photos of privately owned aeroplanes for over 30 years for OEMs such as Gulfstream, Boeing, Falcon Jet, Cessna, Bombardier, Eclipse, Lear and others.

From the Lear 20 to the Boeing 747-400, he has also taken photographs of over 900 privately owned planes. Gleis has also provided photography and photography capabilites to aviation equipment centres around the world, such as Gulfstream Aerospace, AiResearch Aviation, The Jet Center, Associated Air Center, Comlux USA, Falcon Jet, Gore Design Completions, Aloft AeroArchitects and Jet Aviation - Basel.

It has also participated in many in-flight air-to-air operations, taking breathtaking pictures of planes flying in pursuit planes such as a B-25 bomber, a Lear 35 with custom looks, and Gulfstream IIs and IIs. Briefly, Gleis has taken photographs of more one- and two-aisle planes than anyone else on the planet.

"They need to know everything: the abilities of the plane, the latest electric system, the clever light control system, what is available on the plane from an aesthetical point of views and what images are important for the equipment centres and designer. Unexperienced photographs are just stunned by the airplane magnitude and luxury.

" Gleis has taken pictures of track equipment for customers such as General Electric, Mobil Oil, RCA, United Technology, International Aero Engineering, Warner Lambert, Asprey London Ltd. on the trade side. Despite having purchased his own during the analogue age, Nick Gleis is also a global leading provider of advanced online imagery. From 1990, he worked with Miller Color Lab and Eastman Kodak to create a process for converting negatives into electronic format for improvement - then back to negatives for photo-out.

It has also invented a unique and unique process for pixel-based picture improvement. One of the first to make the move to pure and simple photographic technology, Nick Gleis Fotografie still offers a standard of knowledge in the field of electronics imagery that few others can achieve. Gleis has been working with various businesses dedicated to providing platforms for advanced still and still camera technology using quad-copter drone technology since early 2014.

He has spent literally hundred of an hour practicing and experimenting, taking extraordinary air photos and video footage for various business customers, presenting their product in an impressive, fanciful way. The FAA issued him a long-range pilots licence in 2016, which allows him to operate UAVs and UAVs for business missions, and he is continuing to refine his own unparalleled UAV flying techniques.

For most of his work, Nick Gleis trusts two different digital camcorders - a Sony A7R II, his go-to camcorder when taking pictures on a stand for the best possible picture and a Canon EOS 1DX when he moves and photographs by hand. "Nick Gleis closes, "The cutting edge has a very crisp, double-edged blade.

"It has enabled the photographer, myself included, to take pictures they could only have dreamed of a few years earlier. You don't have to know anything about lighting, composing or lighting to get a picture. Large pictures are convincing, and people react to nice things, so a great photo of something or someone is necessarily an emotionally charged one.

Right now the photo business seems to be a rough and chilly place. Tsunamis of images immediately available on the web and the general acceptability of mediocrity cast a gloomy shadow on the bright lights of the time. "To learn more about Nick Gleis and to see more of his work, please go to: